Image

Saint Brexit

As with many people who paint and draw I also write. Much of this is poetry or prose-poetry. I enjoy trying to construct the complex imagery in a poem, without having to rely heavily on narrative, plot and characterisation.

Most of my work strives for imagery and rythmic use of words, and much of it is very personal in subject matter. Some does address wider subjects, where they catch my interest. Unsurprisingly the recent referendum vote which will change our relationship with the rest of Europe at the behest of a narrow majority of petty English nationalists, peppered with a sprinkling of bigots, caught my attention. I have chosen to express my outrage in what I would describe as a prose poem, mainly because my use of metaphor consisting of the religious customs surrounding bones of venerated individuals mixed with the rituals of an even earlier era when individuals were sacrificed to guarantee their god’s favour for tribe and the expectation of a good harvest. The imagery is consistent with the metaphor. The text only has a very loose narrative and is too short to develop a plot.

Read more

My Return to Screenprinting

 

I learnt screenprinting at art college. This was in the early 1970’s. It it was a graphic process secondary to the photography which I used to document the environments I was working in. The small number of screenprints I produced used some of these 35mm photographic negatives as their source.

Read more

Painting of a nude – Acrylic and Nylon Stocking

2012-09-09 at 13-24-21

This can only be described as a very simple painting. The original image was a colour photograph, which contained both the head and torso of the woman. My interest was in the reflection, and what effect the textural qualities of the stocking would add to the foreground, containing the rippling water, distorting the woman’s reflection.

Read more