As with many people who paint and draw I also write. Much of this is poetry or prose-poetry. I enjoy trying to construct the complex imagery in a poem, without having to rely heavily on narrative, plot and characterisation.
Most of my work strives for imagery and rythmic use of words, and much of it is very personal in subject matter. Some does address wider subjects, where they catch my interest. Unsurprisingly the recent referendum vote which will change our relationship with the rest of Europe at the behest of a narrow majority of petty English nationalists, peppered with a sprinkling of bigots, caught my attention. I have chosen to express my outrage in what I would describe as a prose poem, mainly because my use of metaphor consisting of the religious customs surrounding bones of venerated individuals mixed with the rituals of an even earlier era when individuals were sacrificed to guarantee their god’s favour for tribe and the expectation of a good harvest. The imagery is consistent with the metaphor. The text only has a very loose narrative and is too short to develop a plot.
The photographs document the obvious stages in my most recent painting. The work is painted in acrylic paint on canavas. The composition was assembled from three different sketchbook drawings. The drawings were copied lightly in pencil and then outlined in an intense violet mixed with a small amount of Prussian Blue. Two thin washes of colour were then applied over the drawing. A cool lemon yellow from the top left corner diagonally to the centre of the canvas.