Articles

How I work

There is a randomness to the way I produce my images. The sources are usually two dimensional. Though I enjoy the discipline of drawing from life, I rarely paint from life. When I taught art I would often draw alongside the pupils, but the only paintings were produced in front of still life arrangements.

Like Francis Bacon, I rely heavily on photographs and drawings from the imagination collected in sketchbooks which I often treat as a journal. The images below are collected as sources for a painting I will be starting soon.

 

Skull picture
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My Return to Screenprinting

 

I learnt screenprinting at art college. This was in the early 1970’s. It it was a graphic process secondary to the photography which I used to document the environments I was working in. The small number of screenprints I produced used some of these 35mm photographic negatives as their source.

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Ariel’s First Post – the tragedy of Sylvia Plath

And I
Am the arrow,

The dew that flies
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning.
Sylvia Plath, “Ariel” from Collected Poems. Copyright © 1960, 1965, 1971, 1981 by the Estate of Sylvia Plath. Editorial matter copyright © 1981 by Ted Hughes..

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The photographs document the obvious stages in my most recent painting. The work is painted  in acrylic paint on canavas. The composition was assembled from three different sketchbook drawings. The drawings were copied lightly in pencil and then outlined in an intense violet mixed with a small amount of Prussian Blue. Two thin washes of colour were then applied over the drawing. A cool lemon yellow from the top left corner diagonally to the centre of the canvas.

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